Jillye
Main Exhibition in Clayarch Gimhae Museum, 2013
I work on space installation work with houses, clouds, and lambs, from which we can feel an individual viewpoint, viewer viewpoint, and omniscient viewpoint. In this exhibition I would like to create a linking pin between villages being seen and villages in my mind from the realistic scenes of Jillye. I intend to create a space where viewers can dream, the present and future, and pure emotion in the mind through the Jillye scenes I depict. This space of visual perception is reflected onto human emotion, allowing viewers to have a time of rest
and imagination.-Artist Note
Jae-Kyu Kim’s Looking at - Being Looked At is the most extensive representation of Jille-myeon with 3,500 households and a population of 8,000. This work symbolically depicts ten villages of Jille-myeon by presenting 4,000 ceramic houses and clouds in the form of ten concentric circles.-Clayarch Gimhae Museum
plan
The other area in a line of sight to each other by editing the image elsewhere and expressed in the same place as a single continuous space .PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
Installation
Ceramic Installation: 145000X2660X3000(mm)
small houses & cloud : slip casting, 1,250℃ firing in oxidation,
wall : 145000X2660X1600(mm), wood, photo
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013
PhotoⓒJaeGyu KIM /2013